In anime there are many stereotypes which deviate from Western views. For instance, the boy in school with glasses and straight A's may be worshipped in Japan but oppressed in Western nations. I would love it if someone could research the value of these stereotypes in different cultures!
Sugata and Tomoki from Heaven's Lost Property would be good to compare and contrast with a similar duo from American culture because of how respected Sugata is compared to Tomoki despite having similar intentions and for lack of better word interests. – alexpaulsen7 years ago
Rei from Free! and Iida from My Hero Academia. Just some suggestions. – OkaNaimo08195 years ago
With the release of the live-action version of the popular anime based off a popular manga, and the negative reviews already flooding out, should we judge remakes off originals, treat them separately, or perhaps a little bit of both?
You could expand your suggestion for this topic to include a few examples (I'm sure you must have one or two in mind) and perhaps also include references to any particular genre (or genres), as we can't really place all anime features based on mangas in the same basket. One size doesn't necessarily fit all. It would also be worth considering what a live action remake might bring to the original story and whether some elements might indeed work better in a live action setting. There's also the sensitive subject of 'whitewashing' characters for a Western audience, such as Scarlett Johansson's casting as Major Kusanagi in the recent (and in my opinion, very poor) live action remake of G.I.T.S.. Compare this to the casting of Mana Ashida in the live action remake of 'Usagi Drop' (2011), which had been deliberately adapted to remove certain questionable elements in the original manga story. I mention these two remakes (or adaptations) particularly for the different approaches used by their directors - the former was heavilly scripted, whereas the latter had a loose script that permitted a certain amount of experimentation and ad-libbing from the actors, creating a more natural feel to the developing relationships. – Amyus7 years ago
I'm not sure if this is a case of "should we." People are going to judge remakes by originals, adaptations by books, and so on. It's human nature. I think the actual question, as you mentioned here, is *how* to best judge. – Stephanie M.7 years ago
I think I agree a lot with Stephanie. My main focus for this question I posed revolved around the idea that people deliberately shy away from remakes if they are fans of the original. Different art forms allow for very different ways of telling stories, and I think a lot of the time (if not nearly all), remakes do do a poor job of retelling stories due to not finding the right balance of keeping original content and creating new content. Is it up to the audience to be open to new ideas in an already created universe or up to the creators to develop and expand on that same universe. – Zoinks7 years ago
We should because that is what it is based on. There are a lot of movies who do sequels and cant follow the original movie because of copyright laws. They should name it something different. – seniorhomecare7 years ago
I think for a viewer, it comes down to how they watch a film/show. Some people might not be familiar with the original property and will be unbiased going in while others who have seen it will have an expectation (maybe they want to see something that aligns with the original or a new take on it). I think for the viewer it's all subjective. For the creator of the new property, they need to know going in that this is a known story with strong supporters so justice needs to be done to the material (whether they take it in a new direction or not). I think this is most successful when the new creator has a connection with the source material, so they are the best one to be in the driver's seat. – jonj7 years ago
I believe that remakes should be compared to their originals to answer the fundamental question of "Is this necessary?' For instance, a remake can (and often times should) be poorly received if it simply repeats the same beats, messages, tropes, etc. as the original without adding anything new to the conversation or reducing the impact of the original's intent. – Ian Miculan7 years ago
Generally the purpose of Anime is for Entertaintment. However it can be viewed negatively as well. As most generic anime would include things like Harem, hentai (where women can be viewed as objectified), violence, etc.
But there are those animes that actually do give good life lessons and touch on subjects are a social problem.i.e one piece touches on racism in episode 568 when jinbei did a blood transplant there is also things like you cant be on top alone (nakama) as we live in an interrelated world to be successful we need people who are smart around us as we alone cannot do everything by ourselves.
What are other anime that has good life lessons that should be highlighted to address the negativity about anime?
The fact that a small minority of anime series enter Western culture, has had a significant impact on the culture's judgment of the art form. Of the many animes (great and bad) that Japan has produced, only a handful ever get either dubbed or subbed for Western audiences, and of those handful, even fewer can any traction to become mainstream cable shows.
The difference between Eastern culture in filmography and Western culture in a general sense also makes it hard to bridge the gap between ignorance and appreciation. The negativity about anime is surrounded by the exposure of the internet to the extremities of some absurd animes, which have become the scapegoats for many Western societies. – Gliese436B7 years ago
An interesting topic suggestion indeed and perhaps it's about time we in the West 'grew up' when it comes to stereotypical views about anime. As for your request for examples of anime that '...has good life lessons that should be highlighted...' I would propose the excellent 'Mousou Dairinin (English title: Paranoia Agent)' from 2004. The one and only series devised by the one and only; and sorely missed, late Satoshi Kon. An superb example of social paranoia and social responsibility. Funny and dramatic in turn and well worth viewing. – Amyus7 years ago
The 1998 anime classic Cowboy Bebop is a mishmash of various genres, media references, cultures and ethnicities – but one of its more prominent influences is Lupin III. Director Shinichiro Watanabe is an outspoken Lupin III fan, and it's apparent how his fandom seeped into his directorial debut not least in terms of its ensemble cast. This article would look at how Lupin III influenced Cowboy Bebop (similarities/dissimilarities), as well as how these influences were repurposed for Cowboy Bebop's own narrative.
In Anime such as Full Metal Alchemist, anime can be seen pulling story and other aspects from different historical time periods. This can affect they way the production is portrayed. Discuss the different historical time periods that Anime pulls from and how they affect the plot. story line, costumes, and characters. As well as how the original history compares to the Anime
It would be a good idea to compare the real history with that of the anime. – BMartin438 years ago
It would be helpful to anybody who is interested in writing on this topic to have a list of anime that are set in particular historical periods to aid in research.
Let me start by suggesting Mushi-Shi. It's set between the Edo and Meiji periods and the way the fantastical intersects with the mundane in it is very fascinating. – Lokesh Krishna8 years ago
It may be important to consider the different time periods that are being considered and what is used regularly in anime. – jhacket57 years ago
A very interesting aspect to cover here would be how some shows purposely present variations on their historical settings. Fullmetal Alchemist for example is set in an alternate European Industrial Revolution where alchemy is the main scientific doctrine; an alternation which (obviously) is the conceptual basis for the entire show. Another great example is Samurai Champloo, whose Edo setting includes numerous anachronisms and other historical inaccuracies that contribute to the show's message about antiauthoritarianism and mixing. – blautoothdmand7 years ago
Oooh, this looks interesting.
Don't forget Black Butler, set in Victorian times (and with Gothic horror elements), and Baccano, set in the 1920s (with Prohibition and Mafia themes). – OkaNaimo08195 years ago
Properties like Yu Yu Hakusho and Dragon Ball Z have proven that anime influenced by Eastern myths and folklore can succeed on an international level. While these inspired stories gain fame, their source material often can go unnoticed in the West, or at least not be as well known as the anime itself. The purpose here then is to analyze what these influences are and to relay these influences so that their original stories can gain the notoriety that is due to them.
This is a great idea. I'm really curious about the mythology underlying a lot of anime and would love to know more. Some of them are really deep and gnarly, Paranoia Agent by Satoshi Kon for example. – albee8 years ago
an excellent topic idea! Eastern mythology is so prevalent within anime, more so than I realized when I initially began watching anime. Even very popular/mainstream manga and anime like Naruto is riddled with Japanese folklore that Westerners likely miss entirely. – ees7 years ago
As a writer with a keen interest in Mythology, both Occidental and Oriental, I think this is a fine idea for a topic. Sadly, many in the West are oblivious to the some of the ancient themes employed in cinematic storytelling (for instance) and far too often there is a stereotypical 'dumbing down' of our archetypes. Anime in particular is one of the Japanese artforms that still draws on mythological themes, which is one reason why I am drawn to it, but you're quite correct when you state that the source material often goes unnoticed in the West. Perhaps a way to approach this would be to draw parallels between similar mythological archetypes found in the East and the West (much as Joseph Campbell did with his studies of the heroic myth). Folklore is a joint heritage and one that we all respond to, albeit usually on the subconscious or even unconscious level. If I weren't busy with my own mythological analysis at the moment, I'd love to take this topic. A big thumbs up from me! – Amyus7 years ago
One thing with older animes, especially, Yu Yu Hakusho, there was a huge emphasis on feelings. Yusuke could have never became so powerful without getting in touch with his emotions. Buddhism is a big influence, like Dragonball was loosely based off of Journey to the West. – Mikkiravage7 years ago
After Naruto ended, it didn't take long for a sequel- Boruto- to emerge from the woodwork. The manner in which Ukyo Kodachi and Mikio Ikemoto portray the women/girls in their creation is vastly different from Kishimoto stylistically; this can be seen in the way that they dress, the way they talk about boys, or just their behavior in general. Why the sudden need for the sexualization of young Kunoichi, and how does it differ from Kishimoto's method of expressing femininity throughout the Naruto franchise?
In a nutshell, sexting is very pernicious for all the teen generation regardless of their ages and natures. Once a guy tastes sexting, it becomes an open habit that the teens find hard to overcome. Keep your teens away from social media, dating websites and apps and especially keep strict eyes on the cell phone usage of your children by monitoring them through monitoring applications. – Nicki Marie7 years ago
I haven't watched Boruto and I'm still finishing Naruto but the whole way through Naruto I've found the representation of women terribly underwhelming and in most cases disturbing. It'd be a good article to draw in readers by making a comparison between the two. "What's different, what's not, and what should change?" – Slaidey7 years ago
Personally, i think they try to keep up with the current world trend, i suppose with the current world now thing are more open compared to previous generation. – Aaron38897 years ago
Made in Abyss is a new anime series, adapted from the manga of the same name. The series focuses on an orphan girl named Riko. Her goal is to explore the massive hole in the earth called the Abyss, like her mother did. The Abyss have a plethora of artifacts and remnants. To pursue these treasures hunters must brave terrible conditions and brutal nature. One aspect of the series that is the most jarring is the stark contrast between the art style and it's story.
Made in Abyss features beautiful animation, with bright colors and lush environments. The main characters are small, cute, children, however, they face the horrors presented by Abyss. Particularly, the damage that happens to the human body, losing control over body fluids, hemorrhaging, broken limbs, amputation, etc . . . As each layer is reached the effects get worst. Explore how the anime's style contrasts with it's content and how that might effect the story and viewers.
